NiSi ATHENA PRIME Rewind 14mm T2.4 Full Frame Cinema Lens (PL Mount)
$1,399.00
- One Lens. Two Cinematic Personalities – The Rewind delivers a film-inspired vintage character wide open, then transforms into a clean, modern cinema lens when stopped down, giving filmmakers two distinct looks from one lens.
- Vintage Character with Modern Control – Through deliberate optical design, the Rewind simulates film-era lens characteristics including amplified aberrations, reduced resolution at wide apertures, and enhanced softness for an authentic vintage look without relying on actual old glass.
- Ultra-Wide 14mm with Full-Frame Coverage – Provides an expansive field of view ideal for establishing shots, interiors, and dramatic environmental framing, with a 46mm imaging circle covering all full-frame cinema cameras.
- Adjustable Stylization via Aperture – Vintage character is strongest at T2.4, progressively diminishes through T4 (a balanced sweet spot), and by T5.6–T8 the lens behaves close to a modern cinema lens, providing a creative dial for cinematographers.
- Warm, Expressive Flares – Flare intensity is significantly increased over the standard Athena Prime with a warm color tone, adding cinematic atmosphere to backlit scenes and practical lighting setups.
- Color Consistent with Standard Athena Prime – The Rewind’s color rendering closely matches the standard Athena Prime, making it easy to intercut or mix both lens types on set without post-production color correction.
- 300° Focus Ring with Fluorescent Scales – Precision focus pulls are made easy with 300 degrees of rotation and fluorescent focal markings for visibility in low-light shooting environments.
- Matched Weight and Size Across All Rewind Lenses – Seamless lens swapping without the need for gimbal rebalancing, rig adjustment, or matte box reconfiguration, saving valuable time on set.
- Rear Filter Mount for Creative Flexibility – Built-in rear filter slot allows for quick gel and filter changes without disturbing the front of the lens, maintaining a streamlined workflow.
- Minimal Focus Breathing – Ensures a consistent field of view during focus adjustments, critical for cinematic pull-focus work and professional video production.
- Retained Barrel Distortion for Organic Feel – Preserves barrel distortion, contributing to the organic, analogue character that distinguishes the Rewind from clinically corrected modern optics.
- No Added Chromatic Aberration – While aberrations are amplified for the vintage look, chromatic aberration levels remain unchanged from the standard Athena Prime, delivering style without undesirable fringing.
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ATHENA PRIME REWIND
One Lens. Two Cinematic Personalities.
Vintage Character with Modern Control
Through deliberate optical design, the Rewind simulates film-era lens characteristics including amplified aberrations, reduced resolution at wide apertures, and enhanced softness — delivering an authentic vintage look without relying on actual old glass. Open wide for cinematic warmth, stop down for modern precision.
Adjustable Stylization via Aperture
Vintage character is strongest at T1.9, progressively diminishes through T2.8 — a balanced sweet spot — and by T5.6 to T8, the lens behaves close to a modern cinema lens. Your aperture ring becomes a creative dial, letting you tune the look of every shot without swapping glass or adding filtration.
Distinctive Bubble Bokeh
At wide apertures, the Rewind produces signature bubble bokeh with bright edges and darker centres in out-of-focus highlights, most pronounced on the 35mm and 50mm. This effect fades controllably by around T4.0, giving filmmakers precise control over background rendering and adding visual depth to every frame.
Warm, Expressive Flares
Flare intensity is significantly increased over the standard Athena Prime, delivering warm-toned flares that add atmosphere and energy to backlit scenes, practicals, and direct light sources. The warm color tone distinguishes the Rewind from clinical modern glass, adding a cinematic character that enhances every backlit moment.
Film Inspired Character at T1.9
The Rewind simulates film-era lens characteristics through deliberate optical adjustments — amplified aberrations, reduced resolution at wide apertures, and enhanced softness — giving cinematographers an authentic vintage look without relying on actual old glass. The result is a warm, dreamy quality that transforms every shot.
Color Consistent with Standard Athena Prime
The Rewind's color rendering closely matches the standard Athena Prime, making it easy to intercut or mix both lens sets on set without post-production color correction. Unlike the Tuned variant which shifts toward yellow-green tones, the Rewind preserves neutral, natural colour fidelity.
Retained Barrel Distortion for Organic Feel
All Rewind lenses preserve barrel distortion, contributing to the organic, analogue character that distinguishes them from clinically corrected modern optics. This deliberate choice makes interiors, architecture, and wide compositions feel more organic and period-authentic.
Professional Build for On-Set Workflow
Matched weight and physical dimensions across all five focal lengths enable seamless lens changes without gimbal rebalancing or matte box adjustments. Each lens includes a 300-degree focus ring with fluorescent focal scales for precise focus pulls in low-light conditions, along with a rear filter mount for gel and creative filter use.
Comprehensive 5-Lens Focal Range
Full-frame coverage from 14mm ultra-wide to 85mm portrait — 14mm T2.4, 25mm T1.9, 35mm T1.9, 50mm T1.9, and 85mm T1.9. All lenses feature a 46mm imaging circle supporting all full-frame cinema cameras and larger format sensors, with minimal focus breathing for stable pull-focus work.
Matched Weight and Size Across All Lenses
Seamless lens swapping without the need for gimbal rebalancing, rig adjustment, or matte box reconfiguration — saving valuable time on set. The uniform form factor means your entire rig stays balanced and ready, no matter which focal length you reach for.
Rear Filter Mount for Creative Flexibility
A built-in rear filter slot allows for quick gel and filter changes without disturbing the front of the lens, maintaining a streamlined workflow. Swap creative filters between takes without breaking your setup or losing precious shooting time.
A Complete Creative System
Whether shooting intimate character-driven drama, stylised commercial content, or atmospheric documentary work, the Athena Prime Rewind provides filmmakers with an unprecedented level of creative flexibility. The ability to transition from vintage warmth to modern clarity within a single lens set eliminates the need to carry multiple lens systems on set.
Description
The NiSi ATHENA PRIME Rewind 14mm T2.4
The NiSi ATHENA PRIME Rewind 14mm T2.4 is a full-frame cinema prime lens designed for filmmakers and cinematographers who want the ability to shift between vintage-inspired character and modern optical precision within a single lens. As the ultra-wide entry point in the Rewind series, the 14mm offers an expansive field of view with the distinctive dual-personality optical design that defines the ATHENA PRIME Rewind range.
Two Cinematic Looks from One Lens
The defining feature of the ATHENA PRIME Rewind 14mm is its ability to deliver two distinct optical personalities. Wide open at T2.4, the lens produces a warm, vintage character with amplified aberrations, softened resolution, and enhanced foreground and background blur. As the aperture is stopped down, these characteristics progressively diminish. By T4, cinematographers reach a balanced sweet spot between stylisation and sharpness, and by T5.6 to T8, the lens behaves close to a modern, clinically clean cinema lens. This gives directors of photography an intuitive creative dial, allowing them to adjust the visual feel of every shot without swapping glass or adding filtration.
Ultra-Wide Cinematic Perspective
At 14mm, the Rewind provides an expansive field of view that is ideal for dramatic establishing shots, sweeping landscapes, confined interior scenes, and immersive environmental storytelling. The full-frame coverage with a 46mm imaging circle ensures compatibility with the latest large-format cinema cameras, delivering edge-to-edge character and coverage across the entire sensor. Combined with the Rewind’s retained barrel distortion, wide-angle shots take on a natural, organic curvature that adds visual depth and dimension.
Warm Flares and Color Consistency
Flare intensity is significantly increased over the standard Athena Prime, delivering warm-toned flares that add atmosphere and energy to backlit scenes, practicals, and direct light sources. Despite its vintage optical character, the Rewind 14mm maintains color rendering that is highly consistent with the standard ATHENA PRIME set. This means cinematographers can freely intercut between Rewind and standard Athena lenses without requiring extensive color correction in post-production.
Professional Build and Workflow
The 14mm features matched weight and physical dimensions with all other Rewind focal lengths, enabling seamless lens changes without gimbal rebalancing or matte box adjustments. The 300-degree focus ring with fluorescent focal scales ensures precise focus pulls in low-light conditions, while the rear filter mount allows for quick gel and creative filter changes. Minimal focus breathing maintains a stable field of view during focus adjustments, and chromatic aberration levels remain unchanged from the standard Athena Prime, ensuring stylistic character without undesirable fringing.
A Versatile Creative Tool
Whether shooting atmospheric wide-angle drama, stylised commercial content, or immersive documentary work, the NiSi ATHENA PRIME Rewind 14mm T2.4 provides filmmakers with an unprecedented level of creative control. The ability to transition from vintage warmth to modern clarity within a single lens eliminates the need to carry multiple optics for different visual treatments, reducing both cost and complexity while expanding the creative language available to every production.
Additional information
| Packaged Weight | 2.29 lbs |
|---|---|
| Packaged Dimensions | 5.12 × 5.12 × 6.69 in |
| Lens Mount | PL Mount |
| Aperture | T2.4-T22 |
| Aperture Blades | 10 |
| Imaging Circle | 46mm |
| Gear MOD and Pitch | Focus: 0.8 MOD / 32 Pitch |
| Close Focus | 0.25m / 9.8" |
| Focus Rotation Angle | 300° |
| Front Diameter | 80mm / 3.15" |
| Angle of View for 36x24 Format (Diagonal) | 113.9° |
| Angle of View for 36x24 Format (Horizontal) | 103.6° |
| Angle of View for 36x24 Format (Vertical) | 79.8° |
| Filter Size | No Filter Thread |
| Length | 85.3mm / 3.36" |
| Weight | 800g / 1.76lbs |
| ATHENA REWIND PL Mount | 14mm |
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