ATHENA CINEMA LENSES

Introducing the NiSi ATHENA PRIME Full Frame Cinema Lenses, including 5 Lenses 14mm T2.4, 25mm T1.9, 35mm T1.9, 50mm T1.9, 85mm T1.9 in PL, E, L, G and RF Mounts. The lenses are designed with a full-frame and 46mm imaging circle, covering focal lengths from 14mm ultra-wide angle to 85mm portrait focal length, making it the perfect choice for most shooting scenarios.

The Athena Cinema Lens Lineup

PL Mount

14mm T2.4

25mm T1.9

35mm T1.9

50mm T1.9

85mm T1.9

E Mount

14mm T2.4

25mm T1.9

35mm T1.9

50mm T1.9

85mm T1.9

E Mount (No Drop in Filter)

14mm T2.4

25mm T1.9

35mm T1.9

50mm T1.9

85mm T1.9

RF Mount

14mm T2.4

25mm T1.9

35mm T1.9

50mm T1.9

85mm T1.9

L Mount

14mm T2.4

25mm T1.9

35mm T1.9

50mm T1.9

85mm T1.9

G Mount

14mm T2.4 (Use in GFX 35mm Format Mode)

25mm T1.9

35mm T1.9

50mm T1.9

85mm T1.9

Athena-Features-1

46mm Image Circle For Full-frame Coverage

Focal lengths range from 14mm ultra-wide angle to 85mm in the NiSi Athena range, covering super wide angle to portrait focal lengths. It allows you to capture a wide variety of subjects.

Athena-Features-2

Fast Aperture T 1.9 / T2.4

25/35/50/85mm all have a maximum aperture of T1.9. The 14mm has a maximum aperture of T2.4. Athena Lenses have Soft bokeh for beautiful background separation.

Athena-Features-3

Ultra-Low Chromatic Aberration and Micro-Contrast control

Designed with micro-contrast control and ultra-low chromatic aberration, these lenses offer unparalleled image quality with finer image details.

Athena-Features-4

No Visible Focus Breathing

The Athena Prime lenses have been designed to minimize focus breathing. This means that, regardless of the focal length or aperture setting, the change in field of view when adjusting focus from the minimum focus distance to infinity is extremely small.

Athena-Features-5

Drop In Filter System (E, L and RF Mounts)

The RF, L and E-mount models have a drop-in filter slot while the PL mount takes rear screw-on filters.

Athena-Features-6

Matched Primes From 14 to 85mm

All NiSi Athena Prime lenses are similar in weight. They do not require rebalancing on a gimbal when switching between Athena lenses. All lenses share the same size and 77mm filter thread (14mm has no thread). Both aperture and focus rings are matched across the range.

Athena-Features-7

300° Focus Rotation

With fluorescent focal scales for precise focus pulls.

Athena-Close-Up

Combine the Athena with the NiSi Close-Up Lens for a closer view.

The NiSi 77mm Close-Up lens is an excellent accessory for the NiSi ATHENA Cinema Lenses. When combined with the 25/35/50, and 85mm Athena lenses, it allows for a shorter focus distance. Here are the minimum and maximum focus distances when used together.

Focal Length	≈ Minimum Focus Distance	≈ Maximum Focus Distance
25mm	26.2cm (10.31")	50.4cm (19.84")
35mm	26.9cm (10.59")	50.4cm (19.84")
50mm	32.6cm (12.83")	48.8cm (19.21")
85mm	36.2cm (14.25")	46.6cm (18.34")

Shop NiSi Close Up Lens 77mm

Introducing the NiSi ATHENA PRIME Full Frame Cinema Lenses, including 5 Lenses 14mm T2.4, 25mm T1.9, 35mm T1.9, 50mm T1.9, 85mm T1.9 in PL, E, L, G and RF Mounts. The lenses are designed with a full-frame and 46mm imaging circle, covering focal lengths from 14mm ultra-wide angle to 85mm portrait focal length, making it the perfect choice for most shooting scenarios.

The Athena Prime lens kit is an excellent choice for filmmakers who demand the highest quality optics. These lenses are designed with maximum micro-contrast control and ultra-low chromatic aberration, providing unparalleled image quality with finer image details. The large aperture of T1.9 (25mm, 35mm, 50mm 85mm - 14mm T2.4) and soft bokeh make these lenses ideal for capturing stunning images and videos with beautiful background separation. Whether you’re shooting a feature film, a documentary, or a music video, the Athena Prime lens kit will help you achieve your creative vision.

The Athena Prime Lens are equipped with a drop in filter mount (E, L an RF Mount) or rear filter mount (PL Mount), providing a more flexible workflow and creative control for filmmaking. Additionally, these lenses have been designed to minimize focus breathing, ensuring that the change in field of view when adjusting focus from the minimum focus distance to infinity is extremely small.

All NiSi Athena Prime lenses are matched in weight and size, eliminating the need for rebalancing on a gimbal when switching between lenses. The 77mm filter thread (except the 14mm) and matched aperture and focus rings across the range also make it easy to use lens accessories such as filters and focus gears. The focus ring features 300° of rotation with fluorescent focal scales for precise focus pulls, making it easier for filmmakers to achieve their desired focus.

The NiSi ATHENA PRIME Full Frame Cinema Lenses including 5 Lenses 14mm T2.4, 25mm T1.9, 35mm T1.9, 50mm T1.9, 85mm T1.9 is a versatile and high-quality lens kit that offers unparalleled image quality, flexibility, and creative control for filmmakers.

What is the NiSi ATHENA PRIME Full Frame Cinema Lenses kit?

The NiSi ATHENA PRIME Full Frame Cinema Lenses kit is a set of 5 high-quality lenses designed for professional filmmakers who demand exceptional image quality and creative control. These lenses cover focal lengths from 14mm ultra-wide angle to 85mm portrait focal length, making them ideal for most shooting scenarios.

What are the focal lengths available for the NiSi ATHENA PRIME Full Frame Cinema Lenses?

The NiSi ATHENA PRIME Full Frame Cinema Lens Range includes 5 lenses with the following focal lengths: 14mm T2.4, 25mm T1.9, 35mm T1.9, 50mm T1.9, and 85mm T1.9.

What type of mount options are available for the lenses?

The NiSi ATHENA PRIME Full Frame Cinema Lenses are available in PL, E, L, G and RF mounts, offering compatibility with a wide range of professional cinema cameras.

What kind of image quality can be expected from the NiSi ATHENA PRIME Full Frame Cinema Lenses?

The NiSi ATHENA PRIME Full Frame Cinema Lenses are designed with maximum micro-contrast control and ultra-low chromatic aberration, providing unparalleled image quality with finer image details. The large aperture of T1.9 (25mm, 35mm, 50mm 85mm - 14mm T2.4) and soft bokeh make these lenses ideal for capturing stunning images and videos with beautiful background separation.

What are some of the key features of the NiSi ATHENA PRIME Full Frame Cinema Lenses that make them ideal for filmmakers?

The NiSi ATHENA PRIME Full Frame Cinema Lenses offer a range of features that make them ideal for filmmakers, including unparalleled image quality, flexible workflow and creative control, minimal focus breathing, matched weight and size, and easy compatibility with lens accessories such as filters and focus gears.

How do the NiSi ATHENA PRIME Full Frame Cinema Lenses minimize focus breathing?

The NiSi ATHENA PRIME Full Frame Cinema Lenses have been designed to minimize focus breathing, ensuring that the change in field of view when adjusting focus from the minimum focus distance to infinity is extremely small. This allows for smoother focus pulls and more precise control over the focus of the shot.

What is the filter mount option available for the lenses?

The NiSi ATHENA PRIME Full Frame Cinema Lenses are equipped with a drop-in filter mount for E and RF mounts, and a rear filter mount for PL mount, providing a more flexible workflow and creative control for filmmakers.

How does the NiSi ATHENA PRIME Full Frame Cinema Lenses kit make it easier for filmmakers to use lens accessories?

The NiSi ATHENA PRIME Full Frame Cinema Lenses are designed with a 77mm filter thread (except the 14mm) and matched aperture and focus rings across the range, making it easy to use lens accessories such as filters and focus gears. The focus ring features 300° of rotation with fluorescent focal scales for precise focus pulls.

Can the NiSi ATHENA PRIME Full Frame Cinema Lenses be used with a gimbal?

Yes, the NiSi ATHENA PRIME Full Frame Cinema Lenses are matched in weight and size, eliminating the need for rebalancing on a gimbal when switching between lenses, making them ideal for use with a gimbal.

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